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Category: Reviews

Mana Erg – Idiosyncratic

While neither harsh nor particularly danceable, the album remains intriguing precisely because of its queer and, well, idiosyncratic nature, which clearly separates it from your average glitchy electronics. Definitely not as appealing to the mainstream a record as “The Blind Watchmaker”, it still works on its own merit as a more experimental expression of Bruno de Angelis’ work.

Synapscape – Traits

Following hot on the heels of 2009’s “Again”, “Traits” will not let any fans down at all, showcasing perfectly the German duo’s inimitable blend of complex rhythms and tense atmospheres. In addition to that fine contrast of distorted beats and clean synths we’ve come to know and love, there are of course a few new surprises to be enjoyed here.

The PCP Principle – Rhythmus Ex Heretica

There are two main elements to this recording – crunchy noise beats and symphonic melodies – and no matter how you slice it, they simply don’t fit together that easily. Each aspect is done well on its on, but the jarring juxtaposition is too radical to be particularly likable. If you’ve always wanted to hear Final Fantasy sped up and set to fast-paced rhythmic noise, your opportunity has come at last.

Mathias Delplanque – Passeports

Mathias Delplanque, an artist synonymous with sound installations and immersive compositions, delves on “Passeports” into the phenomenon of the ‘non-place’ – ubiquitous urban spaces formed in relation to certain ends (transport, transit, commerce, leisure). Instead of the identifiable field recordings we expect, Delplanque presents a series of polished ambient/experimental compositions.