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Category: Reviews

Twenty Knives – The Royal We

“The Royal We” can’t be analysed in terms of song structure or melody or harmony. It can’t be identified as sharing common percussive characteristics with other branches of electronic music. It’s not even worth describing their sound as ‘experimental’, because an experiment generally has an identifiable, valid outcome, and leftfield craziness that distorts perceptions isn’t what I would call a valid outcome. But if you can survive that, you’re in for a treat.

Persona – Ruïnes

On this lengthy record Persona attempts folk, martial, dark ambient, neo-classical and even power electronics – and finds success with none of them. Nonetheless, I give this band credit for trying to mix so many styles, often two or three per song. Although some interesting elements make an appearance here, especially the neofolk-ish instrumentation, as a whole, Persona is unable to craft memorable, finished-sounding tracks.

Hall of Mirrors – Forgotten Realm

Sound-wise, “Forgotten Realm” is a dark, etho-ambient record that is a bit reminiscent of Steve Roach, Alio Die, or some Robert Rich. The album art provides a fitting visual representation of the contents of this record: evocative soundscapes that bring to mind exploring ruined jungle temples and the rites of the forgotten primeval tribe who built them.

Canartic – Modulotion

This guitar-based and electronic-backed offering of totally dubbed out and lathered down psychedelic downtempo from Canartic is everything an album name like “Modulotion” promises. Though song structures come across as similar, each breathes its own mix of elements so that, taken individually, the differences might as well be profound.