An album where you can hear all the things Philipp Münch has ever done, but in a very different perspective than what might be expected from him. Granted the sound may seem a bit dated from time to time, but it’s all in a good way – when you play some old Throbbing Gristle or Cabaret Voltaire you won’t complain about older drum machines. So it’s enough to say that ‘dated’ is not the word; this is called ‘vintage’.